

L'AME Galerie - Luc Templier
About us
L'AME Galerie:
Art, Mediation, Expression,
Artist Representation
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L'AME galerie
exclusively presents
LUC TEMPLIER
Luc Templier's artistic approach revolves around the "Painting-Writing" duo with an emotional purpose, whether in the books he calligraphs and paints entirely on a single sheet, in his gestural calligraphy, or in his magnificent "Imaginary Museums." These performances, in the form of conceptual "exploits," touch on the sacred, on pure poetry, and leave the viewer speechless.
For Luc Templier, art is not a pastime; his works are ways of passing through walls. They are much more than a passing distraction or a cheap consolation; they are powerful levers, vibrant invitations to change.
For Luc Templier, it is not enough for his painting to be technically flawless; It must be intoxicating, it must provoke existential, spiritual, and humorous shocks, without which no depth is revealed.
A breathtaking work, a must-see!
A Franco-Belgian writer, visual artist, and calligrapher with a degree in "Visual Arts and Art Sciences" from the University of Paris I, Luc Templier lives in Marche-en-Famenne. He has worked as an actor and director, has also run an advertising agency, and was later a museum curator.
He shares his passions between writing novels and essays; calligraphy and painting; theater; and the workshops and lectures he passionately leads.
In 2012, he received the Godefroid Culture Prize, recognizing his entire artistic career.
PRACTICAL INFORMATION
LUC TEMPLIER EXHIBITION
Paintings, drawings, calligraphy
CONTACTS:
Website: www.luctemplier.com
@luctemplier
https://www.instagram.com/luctemplier/
Email: luc.templier@marche.be
PRESS CONTACT: Anne-Marie Desclée de Maredsous
Tel: +32 (0)477 369 315
anne.marie.desclee@skynet.be
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La démarche artistique de Luc Templier
Luc Templier's artistic approach revolves around the "Painting-Writing" duo, with an emotional purpose, whether in the books he calligraphs and paints entirely on a single sheet, in his gestural calligraphy, or in his magnificent "Imaginary Museums." These performances, in the form of a conceptual "feat," touch on the sacred, on pure poetry, and leave the viewer speechless. The ALL in the ONE.

La Nuit de Feu - 2023
Full text of the entire book "La Nuit de Feu" by Eric-Emmanuel Schmitt, painted and calligraphed on a single sheet Acrylics and inks on Winsor & Newton paper - 76.5 cm x 57.5 cm

Paysages avec Figures absentes
Full text of Philippe Jaccottet's book, calligraphed and painted on a single sheet ARCHE - 93 cm X 73 cm

Palimpseste 2 - 2017
Acrylic, oil, and ink on Arche paper - 57 cm x 41 cm. "Palimpsest": Parchment from which the first writing has been erased to allow for the writing of a new text. These works add to the strangeness, blending truth and falsehood, spontaneity and mastery in a disturbing setting. This series suggests the impermanence of writing. The successive layers cancel each other out, conflict, or interact in a mysterious arrangement. However, despite this impression of contradictory layers, of different time periods overlapping, there is ultimately a unity that forms a strange work and traps the eye—like the "Exquisite Corpse" play so dear to the Surrealists.

Le Musée Imaginaire
Tributes to Iconic Painters - Each work: acrylic and oil on wood panels 62 cm X 62 cm In this series of paintings "Tributes" to the painters who have enriched and nourished him, the artist writes lives like icons—or even hagiographers. It is indeed writing as much as painting. Isn't it said that one "writes" an Icon? By revisiting the famous works of artists, creating a sort of "painted collage," mixed with invented or real texts that retrace the essence of these painters' careers, Luc Templier seeks to place the "viewer" in an emotional context. Each painting is the quintessence of the work, as if that were all that remained after having wrung out the Master's canvases. Here again, in a single glance, through a recomposition, he seeks to give the impression of being able to grasp a destiny, a story, to arouse admiration, then contemplation. Each of our lives is a puzzle whose pieces don't necessarily fit together, some of which are missing, or others deliberately hidden. The puzzle is always an illusion. The "Homage" paintings are iconic snapshots by Picasso, Magritte, Van der Weyden, Leonardo da Vinci… other variations were possible. The "series" could expand and create, with other painters, a fresco in the form of an "Imaginary Museum" (Malraux), a subjective puzzle, but one that Luc Templier's powerful figuration and dazzling technical mastery make essential. The technique used (oil) is highly advanced, giving pride of place to ancient techniques and know-how in order, once again, through a certain quest for perfection and the desire for technical prowess, to awaken the viewer's emotions.

Musée Imaginaire : Hommage à Picasso -2024
Oil on wood panel - 62 cm X 62 cm The technique used—oil and acrylic—is highly advanced, giving pride of place to ancient techniques and expertise, once again, through a certain pursuit of perfection and technical prowess, to awaken—in a modern way—the viewer's emotions.

Grand Geste - 2023
Acrylic, oil, and ink on Arche paper - 133 cm x 38 cm. The gestures are rapid and dazzling. To achieve this, the painter hovers above the surface, awaiting a surge, a void, an inner calm from which only fluidity, the perfection of curves, and the authenticity of momentum can emerge. For this work, the artist had previously placed horizontal stripes to create reserves. These created ruptures, in which the artist's tools are painted in a trompe-l'oeil manner, seem at odds with the thoughtless and spontaneous impulse of the gestures. The tools of the "painter-calligrapher-writer" are painted in these reserves.

Geste 2
In CALLIGRAPHIC GESTURES (Luc Templier teaches "creative calligraphy"), the emotional and the unified come together in the moment. Tools specific to the artisan-calligrapher are painted in trompe l'oeil, witnesses of the past action. Two universes respond to each other: the immediate, thrown, spontaneous gesture, and the tools painted with patience, over time - all painting is there, in these two apparently opposing poles: mastery/letting go.